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Setting up and formatting a 3D project was quite easy (with the assistance of the aforementioned instructional videos). Working with 3D footage in Media Composer 6 is a joy. This list of vendors is likely to grow as manufacturers now have the ability to use the Avid Open I/O initiative to create plug-ins that will allow their devices to work with Media Composer 6. Media Composer 6 can now be incorporated into your entire workflow – using your hardware. No longer do you have to run out and purchase a Nitris DX or Mojo DX video interface in order to work with Avid. Avid media composer for mac reviews pro#The ProRes codecs are all there, as well as expanded support for the RED and AVCHD formats.Īvid’s appeal to Final Cut Pro and other users is even greater with their Avid Open I/O initiative, which incorporates and supports hardware from vendors like AJA Video Systems, Blackmagic Design, Matrox, BlueFish444 and MOTU. Avid media composer for mac reviews full#Working with large bins full of HD footage, effects layering, render times and playback are now crisp and responsive in comparison to the previous 32-bit version.įinal Cut Pro users wishing to migrate away from FCP X will be happy to see Media Composer’s full support of their existing ProRes workflow on the Mac. 64-bit means access to more RAM, making sluggish performance a thing of the past. Media Composer 6 features a new 64-bit architecture resulting in much improved performance. Avid media composer for mac reviews software#While the new interface may provide some familiar creature comforts to users of other editing programs, it is still an Avid software – and to help make that transition, Avid provides some very helpful instructional videos on their website to help even the most staunch Premiere or Final Cut Pro practitioner get up to speed in no time. Want to rearrange your tabs? Just drag them to where you want them and release. All your bins are now in one location and easily navigated by clicking the appropriate tab. It instantly appears as a tab in the new window. A great space saver, simply grab any bin by its tab and drop it onto another bin window. Multiple bins can be opened at any given time and may now be tabbed together. For instance, the interface brightness and color can now be adjusted from a very light gray to very dark, almost black, which some find to be much easier on the eyes after many hours of staring at the computer monitor. Coming from an Adobe Premiere background, the Avid GUI is different yet similar at the same time. The folks at Avid seem to have done a fine job in this regard. It’s a delicate balancing act between creating a welcoming environment for the newcomer while not alienating the long time user. Updating the look and feel of any graphical user interface (GUI) can be a touchy proposition filled with potential pitfalls. Sporting a fair number of improvements and innovations, this latest version promises to pick up more than a few converts from the editing masses. Hot on the heels of its 5.5 update, Avid has now released Media Composer 6. Even though the company has, to date, earned 14 Emmys, a Grammy and two Oscars it has given every indication that it intends to grow with the times, listen to its users and continue to deliver one of the finest editing systems available. Although the interface is immediately recognisable to anyone who’s used any other type of video editing software, its customisability will please those who are into creating the work environment that suits them perfectly.Long respected in the video and film community, Avid is not willing to rest on its past laurels but is fully focused on not only remaining a strong force in today’s production environment but is pressing forward in its quest to capture an even greater share of the marketplace. Avid media composer for mac reviews windows#Media Composer Ultimate is Avid’s top of the line video editing software for Windows and Mac, and it is not for the fainthearted. Avid media composer for mac reviews professional#When we last looked at Avid Media Composer back in January 2019, we were pretty impressed (hard not to be to be honest – this software has been around practically for ever, and is regarded as an industry standard).Īlthough an increasing number of films are cut on Adobe Premiere, Final Cut Pro or DaVinci Resolve, chances are high that if you’re going to be working in a professional environment, this is what you’ll be sitting in front of day after day. Needs a powerful computer to run it well.Its latest updates make sure it remains ahead of the curve and the industry standard for a while to come. Avid Media Composer is a powerful cross-platform video editing application, giving the professional editor the flexibility they need to work the way they want to. ![]()
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